Forest Fire (Pastels)

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Day 100.

This is me.

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The Rebel (Biro)

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Day 99.

I sense the beginning of a new obsession coming on with this Artist.

You walk through a series of arches, so to speak, and then, presently, at the end of a corridor, a door opens and you see backward through time, and you feel the flow of time, and realize you are only part of a great nameless procession.

John Huston

Boy with terrier. (Ceramic)

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Day 96.

The cocked head of a Jack Russell has a hilarious almost bewitching affect on me. To the extent that I’ve entered it into google to see if perhaps others are similarly entranced. To my surprise and further amusement the yield returned to me by request was multitudinous.

The tilt of the head the angle and the way the ears sit up it just gets to me. I freaking love it!

We had a few Jack Russells growing up. I have magical memories of them all. One as a tiny pup tucked inside my dad’s jacket on the bike out in Skerries. They agreed with us Jack Russells. They understood the family ways and rolled right in giving as good as they got.

Podge was a stalwart. A bright spark too. Hearing the reports about a serial killer in Milwaukee on the news signalled it was time for his evening stroll. He’d start wagging and looking up excitedly for ┬áhis lead as he did when we called walkies to him and who were we to refuse.

Most of all I loved the experience of coming home from school each day, getting off the number thirty at the entrance to Baymount Park and seeing him fly out the gate darting  rapidly dart down to meet me his back leg out a fetching idiosyncrasy that only added to the delightful welcome.

Female Torso. (Ceramic)

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Day 95.

This is my almost life size sculpture of a female torso in its finished pre fired state. I was feeling ambitious at the time and had the desire to work in a large scale. I worked from a model and from photographs. I found it satisfying physically to work on a piece this size. The sense of wrestling with the material and with the form which that was achieved was wholly engrossing.

The clay changed its substance over the course of the modelling. From a firm and moist state at the initial stages it gradually hardened into a firm leathery material through the drying process. I particularly enjoyed slapping the surface to create structure. The material was tough and allowed me to test it with vigour.

The piece took a couple of months to sculpt a relationship between me and the work an external embodiment of myself in which I could channel my experiences into. This too was deeply gratifying.