The Rebel (Biro)


Day 99.

I sense the beginning of a new obsession coming on with this Artist.

You walk through a series of arches, so to speak, and then, presently, at the end of a corridor, a door opens and you see backward through time, and you feel the flow of time, and realize you are only part of a great nameless procession.

John Huston

Play things. (Biro)


Day 86.

Playing with my toys. Having fun with my treasured items of diversion. It is still there the need to pull them out lay them on the ground and examine and appreciate them for all the possibilities they hold.

I like sitting on the floor like a child. I prefer the floor to chairs and couches most times. Something about being closer to the earth, to  the source. It is the same instinct that has me inclined to be barefoot most of the time. A more natural state. I like the the oriental style of dining on cushions with low tables.

I enjoy making a mess and assembling curious objects together for fun and inspiration. My lounge is my play room. It has got order. The toys are mostly hidden but I know they’re there and within an arms dump of being spread out across the rug.

These sketches were inspired by my Woody Allen Box set. A well loved toy that I turn to time and again.

One and Many (Felt pen)


Day 75.

Playing around with illustration of faces working on head structure trying to get the underneath right things like jaws and brows and cheek bones and the subtlety of lines and curves that make heads such complex three dimensional forms.

Lines sloping away in all directions different from every angle. Using geometric shapes as basic blocks is helpful in building a foundation for the face. I find it enables me to visualise the face and head as a series of planes and not just a mask with hair.

Cubism took it to the extreme but to even examine their work is helpful in appropriating everyday objects including human beings as three dimensional forms in space.

With this drawing I was trying to get away from the outline mentality of drawing. Building blocks constructing up down, left and right to add depth of form.

The skull and the head is such an extraordinary structure. So incredible that our minds ignore and simplify to easily computable visual elements. The reality is too startling and complex that without training in observation we are often only capable of seeing what  a very young eye sees, the obvious features stuck onto a surface of coloured skin decorated with some hair.

Drawing is a fun way to deconstruct ourselves into seeing  a more complete whole.